The Making of “Tomorrow Never Knows,” The Beatles’ Song That Aired on an Historic Episode of Mad Men

1337368509 45 The Making of “Tomorrow Never Knows,” The Beatles’ Song That Aired on an Historic Episode of Mad Men

On Sunday night, the Beatles made history again when Don Draper slipped a copy of Revolver onto his turntable and started listening to “Tomorrow Never Knows.” according to Matthew Weiner, the creator of Mad Men, this marked the first time a Beatles song appeared on a television show (excluding the band’s live TV performances during the 1960s). and the privilege of playing a Beatles tune came at a cost — a reported $250,000.

If you’re not familiar with “Tomorrow Never Knows” (listen below), we’ll tell you a few simple things about it. according to Steve Turner, author of A Hard Day’s Write, this was John Lennon’s “attempt to create in words and sounds a suitable track for the LSD experience” (John discusses his first encounter with the drug here), and it was also the “weirdest and most experimental piece of music to appear under the Beatles’ name at the time.” without a doubt, this psychedelic tune would have fit hand-in-glove with Mad Men’s fifth episode of the season, when Roger and Jane drop acid at a psychiatrist’s dinner party. But it sits comfortably too in Episode 8. Just as the song marked a tuning point in the band’s sound, so too does it presage a turning point in Mad Men’s narrative. We begin to see individual characters moving in new personal directions and the show itself entering the later radical 60s.

Above, we’ve included a clip where Paul McCartney, George Harrison and George Martin talk about the making of “Tomorrow Never Knows.” Wikipedia actually offers some more good details on the song’s structure and recording. Below you’ll also find the original track.

The Making of “Tomorrow Never Knows,” The Beatles’ Song That Aired on an Historic Episode of Mad Men

1960s Theme Party – The Age Of Miniskirts And Protest Songs

1337357707 50 1960s Theme Party   The Age Of Miniskirts And Protest Songs

Planning a party with a 1960′s theme is probably one of the easiest things to do because many of the styles from that decade are beginning to resurface, making it easier to locate party items you need. If you’re not a child of the decade, your parents probably are, which makes it easy to find out what you need for your party and how your guests should dress to be in tune with your theme.

The decade that encompassed the 60′s saw a great many changes in both fashion and music. What started out as an overflow from the 1950′s close with artists such as the Everly Brothers, Elvis Presley, Paul Anka, and others, took a complete 360 degree turn by the middle of the decade – or more appropriately, by 1962-1963 when the first wave British Invasion began to hit United States airwaves beginning with the Beatles and their most popular competitors, the Dave Clark five. by the mid-60′s, there was the first sound of bubblegum music, followed by the first hard rock music. The close of the decade took us into protest music and folk rock music.

The way you want your guests to dress will depend upon which part of the decade you wish to base your theme. Of course, if your guests are of varying sizes, you may wish to open the theme for the whole decade since many may not wish to wear the mini-shirts that were prevalent at the last half of the decade. Of course, the alternative to that is bell-bottom jeans and slacks, which can still be found in some stores, though not the bell-bottoms that were worn extensively in the 60′s.

You may choose to vary your musical selections to cover the decade or you can choose the last half of the decade with the more prominent changes. whatever way you choose, make certain that your guests are aware of exactly how you are directing your theme.

1960s Theme Party – The Age Of Miniskirts And Protest Songs

The Beatles – The Fab Four Introduced

1329761708 79 The Beatles   The Fab Four Introduced

During the sixties, a craze like no other swept the world: four youngsters from Liverpool with weird haircuts conquered hit lists and concert halls worldwide. the Beatles have been and still are in a class of their own.

The Beatles’ first bassist. he left the group early on in Hamburg to pursue his art. Tragically, he died in 1962 of a brain aneurysm.

The so-called fifth Beatle joined the group in 1960, a day before they were due to go to Hamburg. he was the Beatles’ drummer for two years, before the rest of the group decided he didn’t fit in and asked for him to leave.

Ringo joint the Beatles as drummer when Pete Best left the group. he stayed with them until the breakup of the band in 1970. Ringo in commonly seen as one of the first drummers who was on equal footing with the rest of the band. at that time it was common to replace a group’s drummer in the studio, for example. Starr composed a number of modern and exciting drum solos for the Beatles, and had enjoyed a successful career even after the band’s break up. he has even appeared as an actor in a number of movies and worked as a voice artist for children shows.

George, the Beatles’ lead guitarist, was only seventeen when the band travelled to Hamburg. he had to lie to the authorities to be able to get a work permit. he was often found quieter than the other three, and more spiritual. It was George who got involved with Indian and Hindu culture, and who involved the other band members in that culture. the songs he composed for the Beatles are still well known, most famously here comes the Sun. after the break up, he started a solo career and later formed the Travelling Wilburys. he worked as a movie producer and even wrote an autobiography. Harrison died of lung cancer in 2001.

Paul was the Beatles’ main composer and vocalist alongside John Lennon. he even played bass. During the Beatlemania-years, Paul was considered the best-looking by the Beatles’ female fans and was pursued to an absurd degree. after the breakup of the Beatles, Paul formed the Wings. he had several great hits and continued his solo career after that. McCartney has a number of records to his name: most successful musician and composer in popular music history and most covered song in the history of recorded music (Yesterday) being just some of them.

John Lennon was the other part of the Lennon/McCartney songwriting team. after the Beatles he started a highly successful solo career. Songs like Imagine and Give Peace a Chance are still highly popular. he was well known for his peace activism in which he was shared by his wife Yoko Ono. John Lennon was killed in December 1980 with four shots in the back.

The Beatles – The Fab Four Introduced

Canada News, Commentary, Analysis, Blogs

1329567307 68 Canada News, Commentary,  Analysis, Blogs

Paul McCartney, a guy who used to be in a band, and then another band that wasn’t nearly as good, has decided at the ripe old age of 69 to stop smoking pot. Sir Paul, who smoked his first joint with Bob Dylan while touring through the U.S. with the Beatles in 1964, says he gave up his decades-long habit so that he can be a more responsible parent to his eight-year-old daughter, Beatrice. (Apparently, his other four children weren’t worth quitting for, not that it really harmed Stella all that much.) McCartney had smoked pot pretty consistently since 1964, and has said that any use of the words “high” or “grass” in his songs were explicit references to cannabis. “Got to get you into my Life,” off of Revolver, is devoted entirely to the funny little herb. McCartney’s love of marijuana has also got him into legal trouble over the years. In 1972, British authorities raided his castle in Scotland and found numerous pot plants, and in 1980, while touring with Wings, he was arrested in Japan for trying to bring in nearly eight ounces of weed for an 11-show tour. (For the uninitiated, that is a lot of pot to smoke in three weeks.) however, being essentially perma-baked for the last 50 years didn’t do much to inhibit his career, as the Guinness Book of World Records lists him as the most successful songwriter and composer in the history of pop music.

Things that Paul McCartney’s Pot-Smoking Lasted Longer Than:

• his first three marriages, combined

• John Lennon’s life

• Ringo Starr’s solo career

• The reigns of Moammar Gadhafi and Hosni Mubarak

• The self he references in ‘When I’m 64′

• VHS, Betamax, cassette tapes, eight-track

• The Who, Led Zeppelin, Pink Floyd, and The Kinks, but not the Rolling Stones.

Canada News, Commentary, Analysis, Blogs

The Beatles British Invasion Coasters

1327896936 95 The Beatles British Invasion Coasters

So you had a hard day’s night from work today. if you need some help relaxing, just sit back, unwind, and think back to the time when you went on that trip down Abbey Road. Or you could just pour yourself a drink, play an old Beatles record, pick up your favorite book, and relax. oh, and make sure you set your glass down on the Beatles British Invasion Coasters so you won’t have any of those annoying water rings to clean up later on.

The Beatles British Invasion Coasters features four psychedelic and retro-looking designs with titles of some of the Beatles biggest hits over their entire career.

1327896937 48 The Beatles British Invasion Coasters

The Beatles British Invasion Coasters

  • Pack of 4 glass coasters featuring your favorite Beatles albums
  • Features: Abbey Road, Help!, a Hard Day’s Night, and Sgt. Pepper’s
  • Hand washing recommended

The Beatles British Invasion Coasters are available from Neatoshop for $12.95.

The Beatles British Invasion Coasters

The History of a True American Musical Art Form – The Blues

 The History of a True American Musical Art Form   The Blues

In the history of music there has probably not been one musical style that has influenced popular Music more than Blues. Blues also is unique in that it is truly an American musical art form. as we will discover, the roots of the musical styles of Jazz, Rock, Gospel and musical artists from BB King, Elvis Presley, the Beatles and the Rolling Stones to Led Zeppelin, all were heavily influenced by the Blues.

It is important to note that the term popular Music as I have used it above is a bit misleading. Too often we mention Classical Music and popular Music as too completely different musical expressions. I am not inferring that they are not very different from each other. what I am saying is that the word popular actually only relates to the time period one lives in.

Let me explain. If we were living in Europe in 1786 when Mozart was 30 years old and in the height of his career (he died at age 36) his music would have been considered popular, would it not? If there had been recording studios, radio stations, Mp3′s and iPods in 1786 would it be too naive and simplistic to conclude that one of his symphonies or piano concertos would have been a Top-Ten Release? And if so, would it not be considered popular Music? I think you will admit that this is certainly an unconventional but truthful perspective.

Since Blues has been such a powerful influence, it is important to understand why. Following is a brief history.

The Blues were born in the North Mississippi Delta following the Civil War. its heartfelt and passionate performances are deeply rooted in slavery and the African American culture. Early compositions were Field Hollers, Ballads, Church Spirituals and Rhythmic Dance tunes called Jump-Ups that showcased a singer who would engage in a call-and-response with his guitar. He would sing a line, and the guitar would answer. for many years, due to the lack of music education, multitudes of songs were recorded and passed on only by memory. because of this fact, it is very possible that many a great song was lost in translation.

The Blues became the essence and hope of the African American laborer, whose spirit is wed to these songs, reflecting his inner soul to all who will listen. Rhythm and Blues is the cornerstone of all forms of African American music. the Blues, with it’s 12-bar, dissonant 7th chord progression and its bent-note melodies were the early anthems of an oppressed race, bonding themselves together through their soulful cries for freedom and equality. From its origins at the crossroads of Highways 61 and 49, and the platform of the Clarksdale Railway Station, the blues eventually began to expand and headed north to Beale Street in Memphis.

The term the Blues refers to the the Blue Devils, meaning melancholy and sadness. An early use of the term in this sense is found in George Colman’s one-act farce Blue Devils (1798). Though the use of the phrase in African American music may be older, it has been attested to since 1912, when Hart Wand’s Dallas Blues became the first copyrighted blues composition.

The Blues form was first mainstreamed about 1911-14 by the black composer W.C. Handy (1873-1958). however, the poetic and musical form of the blues first crystallized around 1910 and gained popularity through the publication of Handy’s Memphis Blues (1912) and St. Louis Blues (1914). Instrumental blues had been recorded as early as 1913. during the twenties, the blues became a national craze.

Mamie Smith recorded the first vocal blues song, ‘Crazy Blues’ in 1920. the Blues influence on jazz brought it into the mainstream and made possible the records of blues singers like Bessie Smith and later, in the thirties, Billie Holiday.

In northern cities like Chicago and Detroit, during the later forties and early fifties, Muddy Waters, Willie Dixon, John Lee Hooker, Howlin’ Wolf, and Elmore James among others, played what was basically Mississippi Delta blues, backed by bass, drums, piano and occasionally harmonica, and began scoring national hits with blues songs. At about the same time, T-Bone Walker in Houston and B.B. King in Memphis were pioneering a style of guitar playing that combined jazz technique with the blues tonality and repertoire. it is also important to mention that the roots of Jazz began with the Blues. so, if there were no Blues, there would be no Jazz

In the early nineteen-sixties, the urban bluesmen were discovered by young white American and European musicians. Many of these blues-based bands like the Paul Butterfield Blues Band, the Rolling Stones, the Yardbirds, John Mayall’s Bluesbreakers, Cream, Led Zeppelin, Canned Heat, and Fleetwood Mac, brought the blues to young white audiences, something the black blues artists had been unable to do in America except through the purloined white cross-over covers of black rhythm and blues songs. Since the sixties, rock has undergone several blues revivals. Some rock guitarists, such as Eric Clapton, Jimmy Page, Jimi Hendrix, and Eddie Van Halen have used the blues as a foundation for offshoot styles. While the originators like John Lee Hooker, Albert Collins and B.B. King–and their heirs Buddy Guy, Otis rush, and later Eric Clapton and the late Roy Buchanan, among many others, continued to make fantastic music in the blues tradition. the latest generation of blues players would be Robert Cray and the late Stevie Ray.

Today there are many different shades of the blues. Forms include:

Traditional county blues – a general term that describes the rural blues of the Mississippi Delta, the Piedmont and other rural locales.

Jump blues – a danceable amalgam of swing and blues and a precursor to R&B. Jump blues was pioneered by Louis Jordan.

Boogie-Woogie – a piano-based blues popularized by Meade Lux Lewis, Albert Ammons and Pete Johnson, and derived from barrelhouse and ragtime.

Chicago blues – Delta blues electrified.

Cool blues – a sophisticated piano-based form that owes much to jazz.

West Coast blues – Popularized mainly by Texas musicians who moved to California. West Coast blues is heavily influenced by the swing beat. EUR

The public’s affection for the Blues only seems to be increasing. in Dana Point California, the city next to mine, Doheny Beach now has a yearly Blues Festival that keeps getting bigger and bigger. Others can be found in Portland, New York, Chicago, San Francisco, and the list goes on.

As for me personally, Blues has always been a regular part of my life. when I play guitar and sing with other musicians, it is the easiest and most enjoyable form of popular music to jamb with. when I was growing up and my parents owned a music store and rock club called the four Muses in San Clemente California from 1965 to 1975, we always had Blues groups performing. most notable was the famous Blues Duo of Sonny Terry and Brownie McGhee.

My only personal problem with listening to a lot of Blues is that it can become very repetitious and not fresh sounding due to the consistent use of the standard 12 bar Blues Chord Progression. that said, I highly recommend that everyone make an attempt to listen to some live Blues this summer. the music and the crowd it attracts normally guarantee an enjoyable experience.

Thank you for reading

Jonathan Morgan Jenkins

The History of a True American Musical Art Form – The Blues

The Flaming Lips Offer Up Trippy Beatles Cover (a top story)::Flaming Lips News ::antiMusic.com

. On Wednesday The Flaming Lips Offer Up Trippy Beatles Cover was a top story. here is the recap: (hennemusic) The Flaming Lips will wrap up 2011 with their 5th annual new Year’s Freakout. In advance of Freakout 5, the group has recorded a trippy, guitar-free version of The Beatles’ “I Am The Walrus.”

The Lips will host the evening at the Bricktown Events Center in their hometown of Oklahoma City, Oklahoma, where they’ll be joined by special guests Yoko Ono Plastic Ono Band, and Phantogram.

The band promises to pull out all the stops with more of everything! more confetti, more balloons, massive volume, and maximum weirdness. – Check out the cover here.

hennemusic is an official news provider for antiMusic.com. Copyright hennemusic – Excerpted here with permission.

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1325772908 91 The Flaming Lips Offer Up Trippy Beatles Cover (a top story)::Flaming Lips News ::antiMusic.com

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‘Rain: A Tribute to the Beatles’ hits its musical mark

 Rain: A Tribute to the Beatles hits its musical mark

I’ve always had a couple of questions surrounding “Rain: a Tribute to the Beatles” – mainly what exactly is it? a tribute band? a re-creation? a narrative with music? And of course, will Yoko be there at the end to break them up?

The answers came with the show’s first Broadway Sacramento presentation, which continues through this weekend with very limited ticket availability.

Most significantly, Rain is a tribute band and a very good one. the show works flawlessly when the band straightforwardly plays the iconic music, all of which is sung and performed live on stage.

Sadly or happily, depending on point of view, Yoko was not represented. And the show ends with the faux Beatles together in a big giddy audience sing-along with one of the best-known tunes.

If you know the Beatles catalog at all – and many of you do because they were the most popular and successful rock band of all time – then you can probably guess which song would lend itself to that big sing-along. And you would have to guess. No song list is provided, perhaps to heighten the tension of which tunes will be played.

It’s a measure of the depth of the Beatles catalog that songs not played included “Eight Days a Week,” “Lady Madonna,” “Help,” “Norwegian Wood,” “Something” and “While my Guitar Gently Weeps.”

The excellent quintet of musicians – the four Beatles and a keyboard player (sadly, not Billy Preston, who’s sometimes known as the fifth Beatle) – did lay down over 30 songs in the tightly paced production.

But as the show has a chronological arrangement beginning with the Beatles’ Feb. 9, 1964, appearance on “The Ed Sullivan show,” you have a sense what is likely coming next.

Divided into thematic sequences marked by costume changes, wigs and fake facial hair, every major phase of the band is represented.

The opening set included the hysteria-inducing hits “I Wanna Hold Your Hand,” “All my Loving” and “I saw her Standing There,” and the strength of the band showed in its musicianship and solid vocals.

Joey Curatolo, smiling and grinning as the cuddly Paul cradling his signature Hofner bass, stood out with his ringing vocals very much in the timbre, tone and range of McCartney.

Steve Landes as John Lennon mugged a bit more than the serious-minded musician might have, while Joe Bithorn as George Harrison and Ralph Castelli as Ringo Starr were outstanding accompanists.

Background projections helped move the scene into the Shea Stadium performance/”A Hard Day’s Night” era before taking on “Magical Mystery Tour” with “I Am the Walrus,” “Hello Goodbye” and “Strawberry Fields Forever.”

That was followed by an acoustic set based around songs from “Rubber Soul” including “Girl,” “In my Life” and “I’ve just seen a Face.”

The final section of the show references the famous rooftop concert with “Get Back” before sliding into Ringo’s drum solo and “The Medley” from the last album they recorded, “Abbey Road.”

While “Rain” is certainly a fond nostalgia trip for many back to the days of their youth and coming of age, the show exists because the music the Beatles made is still great pop music.

Rain: a Tribute to the Beatles

What: a live performance and multimedia show re-creating the songs and changing eras of the great English rock band.

When: 8 p.m. through Saturday. 2 p.m today, Saturday and Sunday, and 3 p.m. Friday. Tickets are very limited.

Where: Sacramento Community Center, 1301 L St., Sacramento

Information: (916) 557-1999 or (916) 801-5181, www. californiamusicaltheatre.com at Tickets.com.

Time: 2 hours and 15 minutes including one intermission.

© Copyright the Sacramento Bee. all rights reserved.

Call the Bee’s Marcus Crowder, (916) 321-1120.

Read more articles by Marcus Crowder

‘Rain: A Tribute to the Beatles’ hits its musical mark

Sir Paul Mccartney – Paul Mccartney Releasing New Album Featuring Beatles …

 Sir Paul Mccartney – Paul Mccartney Releasing New Album Featuring Beatles …

Sir Paul Mccartney – Paul Mccartney Releasing New Album Featuring Beatles In a statement reported by the UK's Daily Telegraph, MCCartney revealed that the album will contain two new tracks alongside covers of classic American songs that inspired he and fellow Beatle John Lennon. "When I kind of got into songwriting, …Read more on Contactmusic.com

Josh Rouse and the Long Vacations talk Liverpool, The Beatles and why they're He's taken influences from every place he's stayed and, since he's in Liverpool next months for a gig at the Black-E, might he take inspiration from the hometown of the Beatles? “I am looking forward to playing the great music city of Liverpool,” says …Read more on Liverpool Daily Post

What would the Beatles do? Sell it, by GeorgeBy melding those influences, they created a sound that was pleasing to a diverse audience. Back to real estate, the house must appeal to a wide market with flexible design. And the Beatles understood the need for agency and hired a manager, …Read more on Nashville Ledger newspaper

Sir Paul Mccartney – Paul Mccartney Releasing New Album Featuring Beatles …

Music Review: The Beatles – The Beatles with Tony Sheridan: First Recordings 50th Anniversary Edition

 Music Review: The Beatles    The Beatles with Tony Sheridan: First Recordings 50th Anniversary Edition

I admit, I’m very surprised to be so surprised by once again hearing the first tracks the Beatles laid down in Hamburg back in 1961 and ’62. I can’t say how many times I’ve heard the eight songs produced by German bandleader Bert Kaempfert over the years, but I’d assumed I knew as much about them as any Beatles fan needed to know.

I was dead wrong.

It’s rather strange to report that while other countries have enjoyed full collections of variant versions of these records for decades, it took 50 years for U.S. listeners to get an “official” package of songs which were intended to launch the career of British singer and guitarist Tony Sheridan. true, a two-CD set with the same eight tracks repeated over and over in often very similar mixes is likely to interest only collectors, completists, and musicologists. But when it comes to the Fabs, there are plenty of us around even if we’re likely to give this collection serious attention just once before filing it away for archival purposes.

The story behind these recordings is, more or less, well-known. after seeing Sheridan and the Beatles perform together at the Top Ten Club in Hamburg, Kaempfert signed the singer and the band to his own company and then to Polydor Records. in June 1961, the musicians recorded five songs for which the Beatles were back-up players and de facto Jordanairres for Sheridan’s Elvis impersonations. these included “my Bonnie,” “When the Saints Go Marching in,” “Why,” “”If You Love Me, Baby (Take out Some Insurance on Me, Baby),” and “Nobody’s Child.” John, Paul, George, and Pete Best were allowed to record two numbers of their own, “Ain’t She Sweet,” featuring Lennon on vocals, and “cry for a Shadow,” an instrumental written by Lennon and Harrison. the following spring, the Beatles returned to Hamburg after a stint in Liverpool, backing Sheridan on his next single, “Sweet Georgia Brown,” and also recording “Swanee River” with him — the latter track long lost in the mists of history.

Music Review: The Beatles – The Beatles with Tony Sheridan: First Recordings 50th Anniversary Edition